Ebook The Irish at Gettysburg (Civil War Series)

Ebook The Irish at Gettysburg (Civil War Series)

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The Irish at Gettysburg (Civil War Series)

Ebook The Irish at Gettysburg (Civil War Series)

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About the Author

Phillip Thomas Tucker, PhD, is an author and historian of numerous acclaimed publications, including George Washington's Surprise Attack, Pickett's Charge, Death at the Little Bighorn, Miller Cornfield at Antietam and more. After earning his PhD in 1990, he took a position as civilian historian with the Department of Defense. The author resides in Upper Marlboro, Maryland.

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Product details

Series: Civil War Series

Paperback: 240 pages

Publisher: The History Press (March 26, 2018)

Language: English

ISBN-10: 1467138525

ISBN-13: 978-1467138529

Product Dimensions:

6 x 0.3 x 9 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#294,004 in Books (See Top 100 in Books)

I'm biased for this book for two reasons: my ancestors came to the U.S. from Ireland in the late 1800s and early 1900s (among them were some Irish Picketts of no relation to the infamous Confederate Major General), and I'm an avid reader of Civil War history, especially the kind Dr. Tucker writes.In astonishing detail and accompanied by some quite crisp, clear photographs, Dr. Tucker's take on this little-known aspect of the Civil War is another fascinating installment in his growing library of books on the era. Unlike 99 percent of other Civil War books, Tucker's treatment views microscopic details, personalities, common soldiers' stories, unorthodox perspectives and everything we didn't learn in high school and college.In The Irish at Gettysburg, the author aims his analysis at new immigrants from the Emerald Isle who ended up, incredibly, fighting against each other across the Mason-Dixon Line. Indeed, Dr. Tucker explains, the War Between the States made strange bedfellows, with these Irish fighters perhaps the strangest of all. I gained a new perspective on the Battle of Gettysburg, sympathy for dead on both sides of the conflict, and greater insight into my ancestors' history.Another personal bias: old photographs. This book is loaded with some of the most enlightening CW pictures I've seen (and I thought I'd seen them all). A few, like one taken of the Union Hospital, and another of a war illustrator for Harper's magazine, remind us how real the war was. Photography has been around for more than 150 years, but it was stunning to see the clarity and detail in so many of the images Dr. Tucker included in his book. Faces are distinct enough to reveal the deep human emotion every participant must have felt during this sad era of America's history.Again, I'm highly biased toward the subject matter and the author, but it's safe to say that any history enthusiast or curious student of the human condition will thoroughly enjoy Dr. Phillip Tucker's "The Irish at Gettysburg." If authors were ranked, Dr. Tucker would be a five-star general, so I'm giving this effort a solid five-star rating.

Just finished my SECOND go through of "The Irish at Gettysburg"! I have been a fan of the author, Phillip Thomas Tucker PhD, for a good while now. It has been my experience that this author can examine an already well known subject with a unique and fresh perspective that challenges my mind. I wish I could find more material these days that would challenge my mind! This coupled with the Civil War being my absolute favorite subject of literature made this book an easy buy for me.Are you fascinated by history? Are you more than a little tired of being spoon fed the same boring details over and over again? Are you of Irish descent and want to read a truly interesting account of the Irish at Gettysburg? Grab this book. Have a go through and just see if you aren't intrigued by Tuckers point of view and detailed breakdown of some of the best stories American History has to offer! In about 250 pages, you will be introduced to exciting new facts about a subject that is already enticing, there is nothing to lose here. There are even some photos that carry a special power on their own. (some of these may be difficult for some to view)I will without a doubt give this book several more reads in the coming the years, as I have with Tuckers previous works. The piece on Picketts charge was phenomenal and I am looking at "Miller Cornfield at Antietam" next.

Gave it to a History buff for Xmas and he loved it.

I found this to be a most interesting examination of a seldom examined bit of history. I doubt you will be disappointed in it.

Cannot get through the introduction. It is sad when such bogus research is allowed to be printed. The introduction is 23 pages long, and filled with historical fallacies on every page. If there is any value in the rest of the book, it would amaze me, at least based on the premise. DO NOT BUY THIS BOOK IF YOU ARE SINCERELY INTERESTED IN IRISH HISTORY!

Phillip Thomas Tucker may have just turned me into a history fanatic with this book. Instead of taking a dry approach to historical events that surround Gettysburg, Tucker takes an unprecedented perspective that maximized my engagement as a reader. History is never something that I have found to be overly interesting, but this book seemed to be written in a way that kept my attention throughout its entirety.In this book, Tucker paints a picture of the Irish impact on the Civil War. He describes historical events in great detail and gives insights into key moments in the Civil War in a compelling manner. Some of the historical events that I remember hearing about in high school, such as Pickett’s charge, were presented in a vivid form.From my perspective, the best thing about this book is the pure detail that is given by Tucker. When reading and learning about history, I prefer to have the more story-based perspective that is presented in this book, instead of just pure facts. Because Tucker provides this sort of narrative, this book is very focused on particular events in the Civil War and does not cover a broad amount of information. For me, this is what I was looking for, however, if you are looking for a more extensive, textbook-style view of history, this book may not be for you.Overall, I don’t think you can go wrong with reading this book. Like I said, I am not a huge history fan, but Tucker’s book was a nice read for a change of pace. I found it very exciting and will definitely be checking out Tucker’s other works!

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PDF Download Legal Will Kit (Wills Made Easy)

PDF Download Legal Will Kit (Wills Made Easy)

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Legal Will Kit (Wills Made Easy)

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Product details

Series: Wills Made Easy

Paperback: 154 pages

Publisher: Enodare Limited; 3 edition (October 6, 2016)

Language: English

ISBN-10: 1906144974

ISBN-13: 978-1906144975

Product Dimensions:

8 x 0.5 x 9.8 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#88,061 in Books (See Top 100 in Books)

Seams daunting, but you'll realize only a small part actually will pertain to you so it becomes quite easy. Wrote up a will for my mom, then my aunt used the CD to make hers up. Eventually my husband and I will use it to re-write ours now that our kids are grown. If you have enough attention span to read for about 20 minutes (which I realize not everyone does these days) then you will find this super-easy.

Easy, comprehensive, straight-forward, and not as time consuming as I thought the process might be. I would definitely suggest this route to create a living will.

Easy to use

I suggest any person Get this Read it and Start their Will

Great

It doesn't have the actual 8-1/2" x 11" forms in the packet. It has the forms like they should be written but you have to get the forms to fill them out.

This is clearly written and packed with useful information. It gives all the whys and wherefores regarding making a will.

Very easy to read and it well broken down.

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Download Ebook The Hellpig Hunt: A Hunting Adventure in the Wild Wetlands at the Mouth of the Mississippi River by Middle Aged Lunatics Who Refuse to Grow up, by Humberto Fontova

Download Ebook The Hellpig Hunt: A Hunting Adventure in the Wild Wetlands at the Mouth of the Mississippi River by Middle Aged Lunatics Who Refuse to Grow up, by Humberto Fontova

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The Hellpig Hunt: A Hunting Adventure in the Wild Wetlands at the Mouth of the Mississippi River by Middle Aged Lunatics Who Refuse to Grow up, by Humberto Fontova

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From Publishers Weekly

New Orleans journalist Fontova has covered diving, hunting and fishing for specialty magazines like Bowhunter, Scuba Times and Sierra and penned a book about divers who spear fish from oil rigs (Helldivers' Rodeo) two years ago. Now the hellbent author and his equally hellbent pals are back, intent on stirring up more nonstop macho action. This time they hope to nail a wild pig during a Louisiana bayou "hunting-fishing-boozing trip." The pig chase doesn't begin until page 173, but no matter. The fun is getting there. Amid their "orgy of blood-lust, booze, and lechery; a three-day indulgence of our primal passions in primitive splendor," readers get fascinating factoids of Louisiana lore, ecology, geology, history, politics and wildlife, plus literary, cinematic and pop culture references. Navigating the French Quarter and the Mississippi Delta's shallow marshes and squishy mudflats, Fontova and company encounter gators and girls gone wild, "plumb, freakin' crazy" hog hunters, migrating waterfowl, mosquitoes and snakes. Fun comes as the gang razzes a greenhorn businessman along for the hunt: "I explained to him that we cut more business deals in hunting and fishing camps than on any golf course, but probably just as many in titty bars." Memoir adds to the madhouse mix, with Fontova's flashbacks erupting in an onslaught of anecdotes. Fontova's voice is powerful and compelling, and the hog hunt finale is worth the wait. The end result is something like Deliverance as written by Hunter Thompson.Copyright 2003 Reed Business Information, Inc.

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Product details

Hardcover: 244 pages

Publisher: M. Evans and Company, Inc.; First Edition edition (November 28, 2003)

Language: English

ISBN-10: 1590770099

ISBN-13: 978-1590770092

Product Dimensions:

6.3 x 0.8 x 9.3 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,912,198 in Books (See Top 100 in Books)

nice and is what i hoped for

I thought the book would be a lot better. A disorganized mishmash - a few good stories of Cajun-redneck swamp encounters - but IMO quite poorly written. I can see where the author tried to write gonzo like Hunter S. Thompson, but the writing style quickly became tiresome. I wouldn't buy it again.

Bought this as a birthday for my "great hunter" brother. I glanced through it and what I read was humorous. I think he will enjoy this read!

For anybody on your Christmas list who thinks golf is for wussies too housebroken to engage in bloodsport, there's Humberto Fontova's very funny The Hellpig Hunt: A Hunting Adventure in the Wild Wetlands at the Mouth of the Mississippi River by Middle-Aged Lunatics Who Refuse to Grow Up.In case that title's insufficiently descriptive, here's Humberto's previous book's title: The Helldivers' Rodeo : A Deadly, Extreme, Scuba-Diving, Spear Fishing Adventure Amid the Offshore Oil-Platforms in the Murky Waters off the Gulf of Mexico. The Hellpig Hunt resembles what you'd get if Hunter S. Thompson went hunting with Bluto and the rest of the gang from Animal House. Plus, Humberto tosses in philosophical asides on the predatory nature of the human male from Camille Paglia, Edward O. Wilson, and the head philosopher of hunting, Jose Ortega Y Gasset of "Revolt of the Masses" fame.A couple of years ago I tried to explain to Humberto the appeal of golf to guys like me: "You see, it's a like a suburbanized form of hunting. It's a battle against nature played out in an ideal landscape for hunting." My little dissertation appears to have been refracted back through Humberto's twisted brain on p. 138 of his tome:"'Then why don't more men hunt?' you ask."'Lack of opportunity,' I answer. "They turn to golf for the same reason men turn to sodomy in prisons.'"Gee, Humberto, thanks for phrasing my idea like that.

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Ebook Free The Art of Eric Stanton: For The Man Who Knows His Place, by Eric Kroll

Ebook Free The Art of Eric Stanton: For The Man Who Knows His Place, by Eric Kroll

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The Art of Eric Stanton: For The Man Who Knows His Place, by Eric Kroll

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About the Author

Eric Kroll edited several titles for TASCHEN including Natacha Merritt’s Digital Diaries and The Wonderful World of Bill Ward. His photography was the subject of TASCHEN’s Fetish Girls and Beauty Parade.

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Product details

Paperback: 352 pages

Publisher: TASCHEN; Multilingual edition (November 30, 2012)

Language: English

ISBN-10: 3836539306

ISBN-13: 978-3836539302

Product Dimensions:

10.3 x 1.6 x 13.2 inches

Shipping Weight: 4.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,293,304 in Books (See Top 100 in Books)

This large format (13.5 X 10.25 by 1.75 inches) Taschen Coffee Table books is amazing—it’s amazing it even exists. The family business for Eric Stanton “was putting women on top, and men in their place.” In the only public exhibition of his art work, in the four days the exhibit was open, 4,000 people viewed the show. Stanton was delighted that 36 women asked for him to sign the show’s program and catalogues and only 4 men. While the audience for his art was largely believed to be men, with his main theme of strong women over weak men, and fetish fashion, it would seem that more women would be interested in his work than men. Even the subtitle of this collection of his work is subtitled, “For the man who knows his place.” What’s somewhat amazing about Stanton’s career and art work is that it changed very little over his 60-year career. He liked drawing imaginary pictures of strong, large, Amazon-like beautiful women dominating each other and of course completely dominating and subjecting men especially weak and abusive men. Originally most of his subject matter consisted of women wresting or fighting with each other. And the winner was the woman who pinned her opponent and was able to spank her often with a hairbrush. The winner would often humiliate the loser by keeping her pinned down while she sat on her head or face. However, in his early work Stanton also had a more dangerous imagination. In this volume on page 82 is a drawing of a bound and gagged victim attached to a catapult. The rope that is keeping the catapult in position is being cut with a knife. Once cut, the helpless victim will be catapulted off the cliff onto the jagged rocks in the distance. This 1952 drawing was from his “Terror at the Bizarre Art Museum.” And Stanton is not credited with the text or story. He may simply have been illustrating what he was given by his boss or bringing one of his customer's fantasies to life as a private commission. There are many such deadly images in Stanton’s work from this period. Many of his torture instruments came from history including dunking stools (page 34), racks and a face mask with interior spikes (page 38) ala “the iron maiden.” Opposite this book’s title page is a photo of a smiling young Stanton with two of his models. There is another one of him sitting on the bed with three different models on page 11. Everyone in the pictures are obviously happy and pleased with themselves. The models are all dressed in high heels, thigh-high stockings, girdles and bras. There is almost no bare skin showing. A voyeur could see more bare skin by going to any beach and even most swimming pools. Stanton would take pictures of these mostly clothed women and add corsets, change the girdles for much skimpier garter belts and eliminate most of the bra for his drawings. It was the same situation with Bettie Page, one of Stanton’s and everyone else’s favorite fetish models. On page 41 of this volume Vultura is being given “the third degree” by female police officers to make her talk. She is tied face down, with arms and legs straddling a heating radiator while the steam is turned up inside the radiator. She may not talk, but she will get the desired “third-degree” burns. This was one of the photo shoots in which Bettie Page played the main role. Anyway, for her fetish modeling, Bettie Page seldom showed much bare skin, but was mostly covered with her fetish costume. Eric Stanton was always surrounded by strong women, starting with his mother Anna. According to biographer Richard P. Seves, it was his liberated mother who told him not to waste his life doing jobs he hated, but to do the drawing he so loved. She even allowed him to stay in her house when he wasn’t making enough money to pay anyone rent. It was she that once paid a prostitute to go visit him when she felt he was suffering from depression because she didn’t “want her son to give up on women.” Eric’s first wife was also a strong woman who divorced him because she didn’t like his profession as a fetish artist. She also took away his first two children along with all his possessions except his art work. His second wife, Britt was from Norway and loved modeling and being with Stanton. She had large breasts and when she was growing up in Norway, they didn’t have pantyhose so she always wore thigh-high stockings with garter belts. When he discovered this fact Stanton must have felt he’d died and gone to heaven. He and Britt later had two children together. On pages 268 and 269 of this collection are some pictures that might well have gotten Stanton real problems with the obscenity and postal laws. On page 268 is totally nude women talking on the telephone while straddling a man trapped between her thighs with his face buried in her pubic hair. This 1978 image from “Straddlers on Request” definitely depicts oral sex by almost any definition. But it wasn’t deemed obscene and it wouldn’t be included in this book if it was obscene. This illustration is made from a photograph of the situation that featured Stanton posing as the man between the model’s thighs. However, instead of an actual person, the published picture(s) has replaced Stanton with a cartoon-like drawing of the trapped man. That must have been the vehicle Stanton used to avoid breaking the law? These pictures are very sexy even with a mixture of real models and cartoon drawings. They are also a long way from the “No nudes, no sex or even implied sex” rules of Irving Klaw who was one of Stanton’s first employers. So strict was Klaw about these rules, that when he was making his fetish movies for sale, he had the actresses wear two pairs of panties to make certain no pubic hair could accidently be seen by the viewers of his movies. Beginning on pages 284-285 is the beginning of one of this reader’s favorite Stanton stories “The Punished Publisher.” This story involves a married publisher who asks one of his beautiful “girl” workers to come to his apartment. His beautiful female employees hate being called “girls” and have told him that numerous times, all to no avail. Once his employee arrives he still continues to call her “girl” and eventually she revolts and throws him on the floor and ties him up like a package. She calls her fellow "girl" worker and together they teach their boss the lessons of humiliation and anguish They tie him up and photograph him so they can share his situation with others including his wife. One of his “girls” is fired on the spot and so she decides he needs a good spanking and after placing a dildo over his mouth and nose, she has sex with her new Peter toy. The other office "girl" also resigns her job and goes to work for Double Day for more money and respect. Capturing photos of abusive male perverts is shown again on page 364 from another series called “Passive Peeper, 1986.” Another favorite story along the same lines is the series “Two Hapless Burglars.” It shows what happens when to two burglars sneak into an apartment occupied by two Amazonian-like women. There is no question that Eric Stanton was a unique artist. He was also a man who had to overcome 8 years as a bedridden cripple due to injuries in WWII and while working for Pan Am Airline. He was cured by practicing Yoga. As Eric Kroll points out in this page turning art book, “Stanton feels that if he hadn’t drawn fetish subjects he never would have gotten the recognition he has received.” There is no question that his artwork causes interesting reactions from each and every viewer. His drawings have a certain magic in them that is not found in plain photographs of the same subject matter and situations. And although color blind and ill much of his life, he managed to transfer his imagination and idea of female beauty into his art for all to enjoy.

This is the one must-have book for Stanton collectors. It's filled with a wide variety of Stanton artwork and is in full color. Just make sure you are getting the large size version, not the smaller paperback size condensed version.

An in depth look into the history of Stanton and his illustrations. Additional info into the publication of his work. This book will save the Specialty Pin-up and Fetish curious reader much time in that it covers a large variety of styles - year to year and publication variations - A very full overveiw of the style. As an art book, it is large, and may dominate some coffee tables. Also bear in mind that the subject-content isn't for the mainstream. Stanton's publications bring you through a wide variety of views, and Kroll's editing is very complimentary. If you are only a bit interested in the genre, and do not wish to buy lots of books, this one is your best find.

A piece of erotica history. A little dated and repetive, but still worth getting.

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The Art of Eric Stanton: For The Man Who Knows His Place, by Eric Kroll PDF

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The Art of Eric Stanton: For The Man Who Knows His Place, by Eric Kroll PDF

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Download Activities for Teaching Psychology and Law: A Guide for Instructors

Download Activities for Teaching Psychology and Law: A Guide for Instructors

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Activities for Teaching Psychology and Law: A Guide for Instructors

Download Activities for Teaching Psychology and Law: A Guide for Instructors

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Book Description

This book presents a wide variety of experiential learning activities to help instructors enliven their courses and teach critical concepts in psychology and law. The activities incorporate individual and group work, videos, reading materials, classroom discussions, homework assignments, and lots of role play. A companion website provides free modifiable handouts and videos to support the activities. With clear instructions and guidance, this book provides everything needed to implement the activities.  

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Product details

Paperback: 176 pages

Publisher: American Psychological Association; 1 edition (March 27, 2018)

Language: English

ISBN-10: 1433828898

ISBN-13: 978-1433828898

Product Dimensions:

8.2 x 0.5 x 11 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#394,460 in Books (See Top 100 in Books)

The book has some good ideas. Unfortunately, the activities are too long or require students to do outside work that may not be part of the class structure. I have been able to modify two for my class, but it greatly changed the activities. It is a good source book for ideas for things to do with the class.

Activities for Teaching Psychology and Law: A Guide for Instructors PDF
Activities for Teaching Psychology and Law: A Guide for Instructors EPub
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Activities for Teaching Psychology and Law: A Guide for Instructors PDF

Activities for Teaching Psychology and Law: A Guide for Instructors PDF

Activities for Teaching Psychology and Law: A Guide for Instructors PDF

Activities for Teaching Psychology and Law: A Guide for Instructors PDF

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